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・ String Sextet (Kagel)
・ String Sextet No. 1 (Brahms)
・ String Sextet No. 2 (Brahms)
・ String sextet repertoire
・ String sign
・ String Sisters
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・ String symphonies (Mendelssohn)
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・ String Quartet No. 16 (Beethoven)
・ String Quartet No. 16 (Mozart)
・ String Quartet No. 17 (Mozart)
・ String Quartet No. 18
String Quartet No. 18 (Mozart)
・ String Quartet No. 18 (Spohr)
・ String Quartet No. 19
・ String Quartet No. 19 (Mozart)
・ String Quartet No. 19 (Spohr)
・ String Quartet No. 2
・ String Quartet No. 2 (Babbitt)
・ String Quartet No. 2 (Bartók)
・ String Quartet No. 2 (Beethoven)
・ String Quartet No. 2 (Borodin)
・ String Quartet No. 2 (Carter)
・ String Quartet No. 2 (Dvořák)
・ String Quartet No. 2 (Glass)
・ String Quartet No. 2 (Haas)
・ String Quartet No. 2 (Janáček)


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String Quartet No. 18 (Mozart) : ウィキペディア英語版
String Quartet No. 18 (Mozart)

Wolfgang Amadeus Mozart's String Quartet No. 18 in A major, K. 464, the fifth of the Quartets dedicated to Haydn, was completed in 1785〔John Irving, ''Mozart: The 'Haydn' Quartets''. Cambridge: Cambridge University Press (1998): 13. "K. 464 and K. 465 were entered ... into Mozart's own handwritten thematic catalogue ... on 10 and 14 January (), respectively."〕 Mozart's autograph catalogue states as the date of composition ''"1785. / the 10th January"''.〔ISMN M-006-20118-1〕 It is in four movements:
# Allegro
# Menuetto and Trio
# Andante
# Allegro non troppo
The whole piece is characterized by the use of several different contrapuntal devices.〔Reginald Barrett-Ayres, ''Joseph Haydn and the String Quartet''. London: Barrie & Jenkins (1974): 197. "Every form of contrapuntal device is used here."〕 In England "this quartet is known as the ''Drum'' because the cello part in variation six (the Andante ) maintains a staccato drum-like motion."〔Barrett-Ayres (1974): 198〕
This quartet was the model for Beethoven's String Quartet in A major, Opus 18 No. 5.〔Nicholas Marston, "Chamber music for strings alone" ''The Beethoven Compendium: A Guide to Beethoven's Life and Music'' ed. Barry Cooper. Ann Arbor: Borders Press (1991): 233〕
In his biography of Mozart entitled ''Mozart: A Life'', musicologist Maynard Solomon quotes Beethoven as telling his pupil Carl Czerny that this work with its complex contrapuntal techniques, was Mozart's way of saying to the world, "Look what I could produce, if only you were ready for it."
Even though it is one of Mozart's longest quartets, there is a great economy to the writing. The finale is as monothematic as anything Haydn ever wrote, with all the development deriving from the opening two phrases, and the other movements use of a very small amount of melodic material for their development sections as well. The minuet for example, builds primarily on just two small motifs.
==References==


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